
STARING: Jeevaa, Anupama
MUSIC: Yuvan Shankar Raja
DIRECTOR: Raam
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Posted by mediasite on October 28, 2007

STARING: Jeevaa, Anupama
MUSIC: Yuvan Shankar Raja
DIRECTOR: Raam
Posted in Latest Tamil Movies | Tagged: Tamil M.A @ Katrathu Tamizh | 4 Comments »
Posted by mediasite on October 14, 2007

Dr.Rajasekar, Mumaith Khan, Samvrutha ![]()
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Posted by mediasite on October 12, 2007

Starring – Arun Vijay
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It is conventional wisdom that when actors turn producers or directors they bring in passion, creativity and attachment to the movies they make. Thavam, produced by actor Arjun, stands in proud defiance to this theory.
As a script, the film’s premises do have some promise. A man and woman meet at a suicide point (a scenic waterfall) to end to their lives. Before taking the extreme step (death by sleeping pills), however they decide to spend a day together.
He doesn’t have a job and she is fleeing an unwanted marriage. But minutes after they have both consumed the sleeping pills, fate intervenes. A postman brings an appointment order and with the reason for suicide negated, he survives, and so does she.
It would take actors of considerable talent and an experienced director to make such a sequence work. Arun Vijay, the poor, unlucky actor, who seems to plough on bravely in a career that has never been graced by a hit, isn’t really the star vehicle for this occasion.
Debutant Sakthi Paramesh directs the proceedings as if he doesn’t give a damn. Lesser pleasure the audiences take home, the merrier. Nearly every known film device — plot, logic and good dialogue – is thrown to the winds as actors and technicians recklessly go through the mere motions of making a movie.
Actresses Vandana and Arpitha are such a let down. Vandana plays the pretty but suicidal girl in the opening sequence. Later, her job is to stay elusive — she believes he is already married – as the hero chases her all across town. It’s high time that scriptwriters stop making their lead heroines stereotypes of Miss Goody Two Shoes. Not because they don’t exist, but because they are so exasperating.
Arpitha has the strangest dialogue delivery. She pauses in her dialogues like former Prime Minister Vajpayee. As she hammed and hawed her way, pausing in all the wrong places, one couldn’t help wonder why every pretty face had to end up in acting.
Vadivelu, who was greeted with whistles and loud cheering by the audience, is vulgar and comic in turns. Puking on screen, especially on other actors, has become an obsession for this actor, who nevertheless is sole source of solace. A scene in where he robs an IG’s house without realising who the house belongs to, manages to make you laugh though it is not that funny. In a movie as pedestrian as this, it was one’s consolation prize.
Arjun makes a cameo in the end, as if to take responsibility for inflicting this horror on the audiences. Not long ago, the actor resurrected his nearly dead career by directing in a series of movies that kept him in the reckoning for the crowd-pleaser Mudhalvan. Those movies — Sevegan, Prathab and Jai Hind among them – weren’t great, but there was an endearing attempt to desperately woo the audience that is so sorely missing here
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Posted by mediasite on October 11, 2007
Pasupathy c/o Rasakapalayam

Pasupathi Starring:
Ranjith,Sindhu Tolani,Vivek,Kanja Karuppu,Manobala,Thiyag
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Director Selvabharathy has tried his hand at the oft-repeated ‘mother sentiment’ in Pasupathy C/O Rasakapalayam. But what may salvage the film is the fun and lark-filled situations created by Vivek, who seems to be back at his best.
Umpteen number of movies celebrating motherhood has hit the Tamil screen before. But to the credit of the director it should be said that he goes on ‘exaggerated’ sentimental scenes and has avoided cliched romantic duets.
Ranjth as Pasupathy is an apt choice for the lead role. Carrying no image behind his name, Ranjith has essayed the role with some comfort. Sindhu Tholani as Pasupathy’s friend helps him in nursing his mother back to good health.
But it is the ebullience and energy of Vivek that makes the film tick.He plays a cop in a local station, who assists Pasupathy in his endeavours. Vivek’s typical one-liners, all taking off from contemporary and contextual events are a delight. Imitating thespian Sivaji Ganesan at many places, Vivek shoulders a major burden in the movie.
Pasupathy (Ranjith), leads his life for his mother. He comes from Rasakapalayam to Chennai to earn his livelihood. He meets Dass (Vivek), a constable. After his acquaintance, he manages to gets the job of assisting the cops at the local police station. Pasupathy’s heroics in pinning a criminal down, result in rich rewards for Das. He gets promoted as the local inspector.
A sequence of events leads to Pasupathy’s mother developing cardiac failure. In a bid to save his mother, Pasupathy runs around to arrange for money to meet the medical expenses. But fate comes in the form of a group of extremists, who hatches a conspiracy that lands Paupathy in prison. The movie ends on sentimental note with a touchy climax.
The rest of the cast includes Thyagu, Ilavarasu, Ganja Karuppu among others. Deva has composed the music, while Tajmal has handled the cinematography.
Selvabharathy has managed to provide fun through the segments involving Vivek. In the final reckoning, this may help save the film from being an also-ran
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